“I fear I did not fully understand all that the club comprised. I had not expected a live girl.” “I am a live one all right. Sign here and we’ll get rid of the business and then get down to the business. In a few days you’ll get an invoice for me and you can mail the remittance. And any gratuity (which I am sure you will be delighted to give) I will take in cash in the morning.” “Yes, this is an interesting club. It is very piquant for them to send a live girl to talk to.” “T

Heinrich Heine (1797–1856) was one of Lafferty’s favorite poets. At one point, he wrote to Sheryl Smith about his experience translating him, saying, "I didn't know you translated Heine. So did I when I was a young person. So did Henry James when he was young, and Maurice Baring, and Lord Acton. Heine avoids the hoppety-hop himself, but most of his translators fall into it. I did." Heine’s “The Grenadiers” (written c. 1816) is a lyric about loyalty, honor, and the pull of nat

A man out of a job is a species distinct from a working man. There are similarities. And there is a wide difference. The man out has a seedier appearance and longer whiskers. And he feels himself looked at queerly in the street. He is more hurried, though he has less to hurry for. He sits alone in public places such as terminals and depots and hotel lobbies and does figures on the back of envelopes, long division problems of minimal outlay into accumulated savings to give day

Advanced Lafferty. I first read Étienne Gilson in high school. A Jesuit teacher gave me Gilson’s eloquent essay on the university, its history, what it should be, and its probable future. One of Gilson’s most accessible pieces, it made an impression on me. So did the teacher teacher who grumped, “This is from the old Norton Reader , before the Norton people let their books go to hell.” Later, I learned more about Gilson’s variety of neo-Thomism. And I learned that generatio

Your Mephistopheles verse reminds me that I can only see that old devil as a stereotype. When I was working in the electrical business so many years, one of our most popular lines of electricians’ tools was the MEPHISTO TOOLS, with him as an old red devil with tail and hooves. Anyhow he made the best tools around . . . they had to have been forged in Hell itself. Anybody who can make tools that good can’t be all bad. — Letter So one question that may occur to a Lafferty reade

The metamorphosis of human children into adults is a disguised sort since children look more like adults than caterpillars look like butterflies or tadpoles look like frogs. — Letter The rest of the week was filled with great expectation. Henry dreamed it out in the mornings as he sat in the cave, and in the afternoons as he sat on top of Doolen's Mountain. The appeal of a completely untrammeled existence has always been strong. It would be perfect to be no more than a pair o

“Yes. Even ourselves it would kill. That is why we have our eyes always shielded. That is also why we erect another shield: that of our ritual politeness, so that we may never forget that too intimate an encounter of our persons may be fatal.” Lafferty wrote “The Polite People of Pudibundia” early, in 1959. Gene Wolfe once said that early Lafferty is Lafferty with water, and later Lafferty is straight Lafferty. “Pudibundia” falls squarely into the first category. It is also o

“It is inconceivable, that inanimate brute matter should, without the mediation of something else, which is not material, operate upon and affect other matter without mutual contact…That gravity should be innate, inherent, and essential to matter, so that one body may act upon another at a distance, through a vacuum, without the mediation of anything else, by and through which their action and force may be conveyed from one to another, is to me so great an absurdity, that I b

“As to the ‘Square Hills of Quintana Roo’ (dammit [. . .] you’ve got my typewriter upset again), I loved that title but I DON’T believe I ever actually wrote the piece. The square hills were the strange pyramids in Yucatan, believed by some archeologists to be older than the pyramids of Egypt.” — Letter, 1993 MAYA - YUCATAN setting novel. The HUITMANNA, bearded QUOTZO, still lives, and the civilization is still thriving under jungle shades. — Notes The Square Hills of Quinta

Being without clothes, he was embarrassed of the girl sitting there on the box. "I am sorry, Temo. I will get on my pants as soon as I find out whether these things are pants, and if they have the proper holes in them. I am sorry, Temo, that you should see me like this." Then he smiled, for he knew something else like a fundamental thing. The girl was dead and could not see him at all . . . Be sober-minded, be vigilant; because your adversary the devil, as a roaring lion, wal

Colonel Zornig instituted flogging to show the Pani thathe was serious about them keeping their places. He didn'tknow if it did any good. The Pani grinned when they werewhipped, and they grinned about it. “Have you people no sense of pain?” he questioned. “Man colonel, we sure don't like the stuff,” Ieska said. “But you grin when you're whipped.” “The happy grin is a convention of your own sort, Ibelieve. With us the grin doesn't mean the same thing.” “What does it mean then?

But the lie had to be a good one, because if your lie is badly done it makes everyone feel wretched, liar and lied-to alike plunged into the deepest lackadaisy, and everyone just feels like going into the other room and drinking a glass of water, or whatever is available there, whereas if you can lie really well then get dynamite results, 35 percent report increased intellectual understanding, awareness, insight, 40 percent report more tolerance, acceptance of others, liking

Lafferty is pretty divisive among readers, probably more so today than half a century ago: either you’re a fan of his stuff or you ain’t. I’m not a fan myself, really, but I’ll try anything once (or even twice). In the case of Lafferty it’s mainly because he’s Quirky™ that he has a love-him-or-hate-him reputation, although this same quirkiness also threw him into the midst of the New Wave, despite being politically and socially conservative and also already middle-aged, being

One question in Lafferty’s thinking about the end of contingent worlds is how to measure a life against the world’s. Everyone grows older and sees worlds fade. That is, anyone who is lucky enough to live long enough to experience that kind of loss. Lafferty certainly went through it. He was probably haunted by this more than most people (I think) because his father was so old when he was born, and he was the baby of the family. His grandparents were a century older than he. H

"No, my books don't stay in print very long, and so they are hard to find. All books go out of print quickly unless they are pretty solid sellers. My only books that get reissued are Past Master , Nine Hundred Grandmothers , and The Reefs of Earth. I've had sixteen novels published and over two hundred short stories, but you'd be lucky to find even one item of mine just walking into a book store." Short note on something fun. Charles Scribner’s Sons published Lafferty’s Does

“Mad Man” could stand as an emblem of Lafferty’s work in the minds of many readers, even if it is not the story they first think of when they think of him. It is classic, quirky, light-seeming 1960s science fantasy, full of Lafferty’s humor and style. Read by itself, it is really fun. Read against the whole of his work, however, it becomes a fascinating story, especially for anyone interested in Lafferty’s developing thoughts about the relation between machines and human pers

John Gillan had been lying dead on his back. A great part of his tongue had been chopped off and the bare end of his nose. However what had killed him was a spike driven into the lower center of his chest. The spike was a steel footing designed as a base for a wooden post or pier such as are sometimes used for support in these ramshackle buildings. It had its floor plate, and the center spike was meant to drive into the wooden pole to secure it. The spike—much sharpened—was d

Some modern scientists feel a powerful affinity with their ancient intellectual forebears. While Anaximander’s understanding of the apeiron may be hard to grasp, some 20th-century physicists found it a helpful concept. In the 1930s and 1940s, physicists worked to turn quantum mechanics (a theory of particles and their interactions) into a theory of particles and fields (i.e. quantum field theory). But they encountered difficulties, as attempts to do so often led to the appea

Little c went to visit the Great Zambesi-Chartel in his cell. “It is time we had a talk,” he said. “No, no, it's too late for talk,” said Charles Chartel. “You have disgraced us both, Charles,” said celach. “It goes very deeply when it touches me.” “I never even knew who you were, little c. You are protean and you are not at all plausible.” Advanced Lafferty. Charles Chartel is our main character, a professional magician who performs under the name the Great Zambesi. He is kn