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Arrive at Easterwine


Anacharsis Cloots
“Dammit, fat man, I will ask questions and I won't hide. Now tell me what the four sorts of creatures are. I'm not stupid. That's only the permanent impression I leave.” “Oh, the four sorts of creatures that surround the Castle are the Pythons, the Toads, the Badgers and the Unfledged Falcons.” “Oh what botching! Unbotch it, Bagley. Where do you get your drivel?” “I have it anciently from my own ancient person and position. And beyond that, there are hints of it in the unguar
Feb 4


"Golden Trabant" (1960/r1965/1966)
If, by the admittance of abandoned men, this evil increases to such a degree that it holds places, fixes abodes, takes possession of cities, and subdues peoples, it assumes the more plainly the name of a kingdom, because the reality is now manifestly conferred on it, not by the removal of covetousness, but by the addition of impunity. Indeed, that was an apt and true reply which was given to Alexander the Great by a pirate who had been seized. For when that king had asked the
Feb 4


Catholics and Protestants
A short post on something I’m trying to think through. One of my categories for understanding Lafferty is the oceanic , that place where the underworld of all humanity comes together, his version of the Jungian collective unconscious. Lafferty was remarkably open to radical soteriology, something I am still trying to understand, though it makes sense for someone so interested in the history of the world. He was intensely interested in the history of peoples, yet he was also
Feb 3


"The Six Fingers of Time" (1959/1960)
But all the clocks in the city Began to whirr and chime: ‘O let not Time deceive you, You cannot conquer Time. — W. H. Auden, “As I Walked Out One Evening” Often, and now more often, Vincent felt that he was touching the fingers of the secret. And always, when he came near it, it had a little bit of the smell of the Pit. “The Six Fingers of Time” is a prenucleation Lafferty fantasy that already bears on questions at the center of his imaginative project: how to think t
Feb 3


More Than Human Harvesters
Thinking again about Monego's essay , which I mentioned a few days ago, and it occurred to me that one probable source for the Harvesters in Fourth Mansions is Theodore Sturgeon’s More Than Human (1953), a landmark work of mid-century science fiction. This must have occurred to others, though I haven't seen it discussed. Sturgeon’s novum reimagines evolution acting on the communal mind through Homo Gestalt , a multi-person organism formed by marginalized individuals who lea
Feb 2


"And Walk Now Gently Through the Fire" (1971/1972)
Yes, I believe that there will be a coming of Christ, an actual physical appearance, comprising the eternal incarnation, redemption, and resurrection. So did Christ believe this and repeated it many times. It is to be believed literally, down to every jot and tittle of every letter. Those who have had visions of the Coming (the First and Second coming are non-sequential aspects of the same event and are neither first nor second), those who have had apparently authentic vision
Feb 2


"On the Joys and Trials" (1982)
“On the Joys and Trials” is an unpublished speech Lafferty prepared in March 1982 for the Oklahoma Library Association Conference. It was to be delivered on April 23 of that year. The typescript, preserved at the University of Tulsa, shows his working method. He wrote, typed the text, and destroyed the scaffolding. The pages have a handful of handwritten corrections, running word counts in the margins, and a cover sheet noting the occasion. But it is special. It is the ful
Feb 1


"When All the Lands Pour Out Again" (1969/1971)
Recovery (which includes return and renewal of health) is a re-gaining—regaining of a clear view. I do not say ‘seeing things as they are’ and involve myself with the philosophers, though I might venture to say ‘seeing things as we are (or were) meant to see them’—as things apart from ourselves. — J. R. R. Tolkien, On Fairy-Stories Lafferty disliked Tolkien’s work. Even so, Tolkien is useful for thinking about the Lafferty stories that center on recovery. In “When All the Lan
Feb 1


Fourth Mansions Thoughts
Short post. Quickly sketched thoughts. Gregorio Montejo (I assume) has posted an essay on Fourth Mansions . It is worth reading. Vastly stronger than his first one. I’m unconvinced that the Alumbrados serve as direct source material for the novel, though I wish they did; even so, the direction he points to by using them is sound. I may well change my mind if I find any evidence that convinces me. Part of the reluctance is that the Pythons need to be integrated into the Four
Jan 31


Rechabitism in Past Master (1968)
“Are we still dangling on the thread, or has the thread been broken even before the official act (soon to be proposed) to break it ? The Ancient Instruction was to go to All Nations. But we are not the Nations. We are something different. The Promise was that the Transcendent Thing would endure till the End of the World. But we are not the World. We are quite a different world, and no promise was ever given to us.” “Nine snakes in my head! I won’t!" Thomas shouted. "It is not
Jan 31


"Lord Torpedo, Lord Gyroscope" (1976/1980)
In such a context . . . the values of being are replaced by those of having. The only goal which counts is the pursuit of one's own material well-being. The so-called "quality of life" is interpreted primarily or exclusively as economic efficiency, inordinate consumerism, physical beauty and pleasure, to the neglect of the more profound dimensions . . . of existence. . . . Within this same cultural climate . . . interpersonal relations are seriously impoverished. The first to
Jan 30


"Snake in His Bosom" (1977/1983)
The main character in “Snake in His Bosom” is Emil Fuerst, who owns a world-renowned security firm (“Safety Fuerst”). Lafferty’s story has three characters. It can be enjoyed literally as a story about a life-or-death game with betrayal: so, first, the plot, told straight. On the day of the story, Fuerst is playing what he calls a Hunter-and-the-Hunted game with a master burglar known as Gatto. It is a duel meant to test his security system and Gatto’s cunning. The setting is
Jan 29


"Panic Flight" (1958)
"Panic Flight" is an early, unpublished Lafferty story that satirizes science fiction before Lafferty cast his lot in with it. The only comments on the story speculate that it failed to sell because the market was unwilling to be twitted by an unknown upstart. More likely, the story did not sell because it is oddly unbalanced and not very good. It wants to do too much with too little. On the one hand, there is the lampooning of science fiction language. This sits at the front
Jan 29


"The Cliffs That Laughed" (1966/1968)
“In any case the Apollonius story is not just a series of ‘and thens’: it drives us on toward a conclusion which restates the theme of the opening. At the beginning Apollonius encounters a king who is living in incest with his daughter, so that his daughter is also his wife: at the end Apollonius himself is a prince united with his lost wife and daughter. The story proceeds toward an end which echoes the beginning, but echoes it in a different world. The beginning is the demo
Jan 28


"Encased in Ancient Rind" (1971)
And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. — Genesis 1:6 Then came the clear instant . . . when it was shattered completely and the blue sky was seen supreme. The unpatterned primordial water in "Love Affair with Ten Thousand Springs" has me thinking about Lafferty’s short story "Encased in Ancient Rind,” a pretty gloomy piece in the felix culpa tradition. Both the Fall and the Flood have already happened
Jan 27


"Love Affair with Ten Thousand Springs" (1975/1976)
“Do you understand what had to be done? The world had to be unvoided; the chaos had to be unchaosed; the spoil had to be unspoiled; and it must be continued. Everything has to be patterned and structured, continuously. That is the real beginning: the patterning." — Rich Horton, Strange at Ecbatan (blog), November 2020. "Love Affair with Ten Thousand Springs" is an important Lafferty story, though you might not know it. It has been mostly overlooked in favor of other works. P
Jan 26


"Company in the Wings" (1960/1983)
Simon Frakes stood there with his grin that was a caricature as a cartoonist might have drawn it. He was there. Then only his grin was there, mocking them in the empty air. "I’m sure that I know that grin from somewhere," Professor Dodgson mumbled. Ah, but memory is a cat-like thing. It creeps away soft-footed, and is gone. "If you do not believe this, then you will not believe anything," said the grin of Simon Frakes. Then the grin itself vanished, and that was the last that
Jan 25


Some Thoughts about "Through Other Eyes"
“I become a transparent Eyeball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. The name of the nearest friend sounds then foreign and accidental: to be brothers, to be acquaintances—master or servant, is then a trifle and a disturbance.”— Ralph Waldo Emerson, Nature The attempt to see into the world of Karl Kleber was almost a total failure. The story is told of the behaviorist who would study the chimpan
Jan 23


Tulsa Archives Updated
Following my request for a review of the materials, the University of Tulsa’s McFarlin Special Collections has updated its archival record: https://utulsa.as.atlas-sys.com/subjects/3870 https://utulsa.as.atlas-sys.com/subjects/4411 A word about this. The photograph of the Holocaust denial letter in the Antisemitism section was not reproduced from the University of Tulsa Special Collections, but comes from another source. Lafferty’s carbon of the letter is archived at Tulsa. S
Jan 22
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