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Arrive at Easterwine


"Golden Gate" (1958/1982)
“Leaving aside all testimony of religion and revelation, I believe that a competent interdisciplinary biologist, working without prejudices, would come onto substantial evidence for the existence of unbodied beings or mentalities, from the effect they have on human persons; just as a competent interdisciplinary physicist-astronomer would arrive at the necessity of there being a moon of such a size and gravity and location and distance, even though, for some reason, the moon l
10 hours ago


“Barnaby's Clock" (1972/1973)
“Your machine can say how old a thing will be in its totality, but it can’t say how old a thing is right now?”— “Mostly it can do both. The present orientation can nearly always be coaxed out of it, though the clock considers the present of little importance. This is no gadgetry, people. It is positive science and it is wonderful.” “The block has solved many problems of involution and devolution,” Barnaby said. “Naturally the clock does not accept evolution, or has any intell
1 day ago


01 Misc Laff
The first of a series of posts. For about a month, I have been typing up a Lafferty compendium, which is full of fascinating material: a partially written Camiroi story about a rhino fair, clues to the “Men Who Knew Everything” story sequence, an abandoned sequel to “Slow Tuesday Night,” reasonably worked out stories such as the "The Wheel and the Shoosh" about the invention of time/being and space, abandoned poetry, where Lafferty derived titles (“And Mad Undancing Bears”),
4 days ago


"Make Sure the Eyes are Big Enough" (1979/1982)
The "Distinction and Adornment of the World" is a scholastic phrase which covers our own province and position. The ‘Distinction’ is the special focusing on our own world apart from the billions of other worlds, all special, but not all special to us. It is the scale and site we are on. The ‘Adornment’ is the process and movement and composition, and finally the Flora and Fauna (including ourselves). Sure, we are an adornment, and so is all the other furniture of the world. T
4 days ago


"Task Force Fifty-Eight and One Half" (1960/1988)
Q. 1383. Are the souls in Purgatory sure of their salvation? A. The souls in Purgatory are sure of their salvation, and they will enter heaven as soon as they are completely purified and made worthy to enjoy that presence of God . . . Q. 1384. Do we know what souls are in Purgatory, and how long they have to remain there? A. We do not know what souls are in Purgatory nor how long they have to remain there; — Baltimore Catechism , 1885 “But there has never been a day l
5 days ago


"Get Off the World" (1958)
“Looking at the Japanese from the outside (as I must) it seems that one of your finest literary entertainments and pleasures is the ‘Ghost Story’. And the essence of the Ghost Story is the juxtaposition of horror and fun, or reality and dream state, of the familiar suddenly gone strange and weird, of the loved and cherished suddenly turned frightening, and of the comic standing up like a giant among the various realities and rationalities.” “I seldom write ‘ghost stories’ pe
6 days ago


"Gray Ghost: a Reminisce" (1987)
And he said unto him, If they hear not Moses and the prophets, neither will they be persuaded, though one rose from the dead. “We won't be taken in by that, Mr. Sheen,” Hector O'Day said. “We're too smart for that.” “So was the little boy who got pulled all the way down to Hell nine years ago,” Anselm Sheen said. “He was a really smart boy. He reminds me of you, Hector.” Jack of diamonds, Jack of Diamonds, I’ve known you of old / You’ve robbed my poor pockets of silver
Feb 28


"L'Avare" (1958)
Well, I started writing everything. I wrote a Saturday Evening Post story and an American Magazine story and a Collier’s Story , and some sort of a western story, and science fiction and mystery stories. I sent them around. The science fiction story sold and the others didn’t, so after several repetitions then, I just wrote science fiction. It took me about a year before I was selling. — "An Interview with R. A. Lafferty" (1983), D. Schweitzer “L’Avare” is a 1958 vignette
Feb 27


"Sex & Sorcery" (1973)
Slowly it wanders, — pauses, — creeps, — Anon it sparkles, — flashes and leaps; And ever as onward it gleaming goes A light on the Bong-tree stems it throws. And those who watch at that midnight hour From Hall or Terrace, or lofty Tower, Cry, as the wild light passes along, — "The Dong! — the Dong! The wandering Dong through the forest goes! The Dong! the Dong! The Dong with a luminous Nose!" — “The Dong with a Luminous Nose,” Edward Lear (1877) “What about the sex and sorcer
Feb 25


"All Pieces of a River Shore" (1969/1970)
Imagine a man who declared that he had painted a picture three miles long and a rival artist who announced a few months later that his painting was four miles in length! They were liars, of course, but what magnificent lies! . . . These lies were no less than colossal and supercolossal. Clearly the men were doubly artists: they were both painters and press agents. —John Francis McDermott, The Lost Panoramas of the Mississippi, p. 23 Today I will be tentative: tentative about
Feb 24


"The Hole on the Corner" (1965/1967)
Tulsa postcard, c. 1965 The persona is a complicated system of relations between individual consciousness and society, fittingly enough a kind of mask, designed on the one hand to make a definite impression upon others, and, on the other, to conceal the true nature of the individual. — C.G. Jung, Two Essays on Analytical Psychology The only one of us (and he is not technically of us) who holds fully to the Third Revelation is Diogenes Pontifex. Diogenes is completely outside
Feb 22


"I Don't Like You"
“We do not even know what his character is,” said Doctor Fell. “Most men who sound vicious take out their viciousness vocally. And all of the sadists I have known, and I have known a great many in thirty years of police work, are mild of talk and appearance and inclined to banter. You will have to admit that Soapy Seeley is not what we might call a sterling character. A man of sterling character is not arrested two hundred plus either thirteen or fourteen times in ten years.
Feb 21


"One Minute Before" (1960)
Philip Henry Gosse (1810-1888) "Yes. The creator could save himself a lot of trouble by setting beginning very near the end. He could make it all its mementos and history and cosmic evidence whenever he chose, or as late as he chose." "Yes. He could make it all at the last moment, all complete, and who would know the difference? He could make it between the moment that he had Gabriel set lip to horn, and the moment that he sounded that last (and only) note." "And if he c
Feb 19


"There'll Always Be Another Me" (1981/2003)
“There’ll Always Be Another Me” is one of my least favorite Lafferty stories. It is a late variation on the schizo-gash, a potshot at the New Age metaphysical temperament. That I don’t mind. The story’s trick: one locks a door to force something out, only to find oneself abruptly on the other side, locked out instead. We have two main characters who become four. One day, the unified Spaltman (let's call these unified selves Priors) decides to answer ten advertisements from Lo
Feb 18


"The Hand of the Potter: An Idyll" (1984/2020)
But thou, Bethlehem Ephratah, though thou be little among the thousands of Judah, yet out of thee shall he come forth unto me that is to be ruler in Israel; whose goings forth have been from of old, from everlasting. — Micah 5:2 But thou, Bethlehem Ephratah, though thou be little among the thousands of Judah, yet out of thee shall he come forth unto me that is to be ruler in Israel; whose goings forth have been from of old, from everlasting. — Micah 5:2 "Certainly we have hea
Feb 18


"Ewe Lamb" (1960/1985)
Nathan admonishes King David by Aert de Gelder (1683) 1 And the LORD sent Nathan unto David. And he came unto him, and said unto him, There were two men in one city; the one rich, and the other poor. 2 The rich man had exceeding many flocks and herds: 3 But the poor man had nothing, save one little ewe lamb, which he had bought and nourished up: and it grew up together with him, and with his children; it did eat of his own meat, and drank of his own cup, and lay in his bos
Feb 17


"Nor Limestone Islands" (1971)
“Nor Limestone Islands” is the hit single of Lafferty’s Fortean stories. It has a sticky title. Within that heterogeneous group, it is reader-friendly. It is centripetally Fortean. In these ways, it is like “Fall of Pebble Stones.” Both stories point like the Hand from Heaven to printed lines of Fort’s The Book of the Damned (1919). Lafferty seemed to tire of using Fort in this way. His preferred method became reimagining Fort. He then raids Charles Fort for ideas, twistin
Feb 16


"Three Men in the Morning" (1962)
The greatest loss of life from a "natural disaster" in the United States occurred on September 9, 1900, when a category 4 hurricane struck the boom town of Galveston, Texas killing at least 8,000 people, destroying about 7,000 buildings and leaving more than 10,000 people homeless. In comparison, Hurricane Katrina, a Category 5 which struck the New Orleans area in 2005, killed about 1,800 and displaced about one million people. The city of Galveston as it was, never really re
Feb 14


"Unique Adventure Gone" (1979/1983)
"The "Sad Adventure of Consciousness," an unpleasantness that lasted no more than seven thousand years, was a sort of response to former dilemmas, a cure that was worse than the sickness . . . There are no more dilemmas or other two-horned problems bothering the world now. So we raise one-horned monuments, single-horned for our single-mindedness . . . A two-horned head, of whatever sort, was likely to have a two-pronged or conscious mind inside of it. But now it will all be e
Feb 13


"Thousand Dollar Melon" (1959)
My stories are slightly future history, set just far enough into the future as not to get stepped on by the present. Yes, I hope the bits and pieces will fall into it. I am always out in the rain with a bucket and trying to catch something. Yes, sometimes I use the old trick of having stories connected by a common minor character or otherwise. Balzac was one of the inventors of this device a hundred and forty or so years ago. In his Human Comedy, he ran quite a few of his cha
Feb 12
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