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- "Splinters" (1978)
In Lafferty’s media critiques, he frequently introduces the eidolon. Lafferty does this so smartly that even though everything feels off, he never tips his hand. Lafferty keeps repeating the word glycerin, which is hygroscopic. Lafferty's image for the mass media. Lafferty relies on the reader's moral sense to see how much is broken.
- As a Serpent's Egg (Abandoned Novel)
How Many Miles to Babylon is also one of Lafferty’s hardest texts, as complicated as a Lafferty novel Someone Lafferty did not like, a world-class hypocrite. Lafferty doesn’t use any of it. But Lafferty did write a note on Meslier while conceptualizing the background for As a Serpent’s Egg. I wish Lafferty had not abandoned it.
- The Four Green Stories (1972/1973)
Lafferty is being schematic. Lafferty uses this idea in “Brain Fever Season” as well. This, too, is a major theme in the four Lafferty stories. That seems to me what Lafferty explores in the Green stories. Mary Mondo, looking in, asks the question that haunts the whole cycle: "Is there any life in it?"
- "You Can't Go Back" (1981)
One can find a short discussion of it online between two knowledgeable Lafferty readers. What I think both Reader One and Reader Two get really upside down is Lafferty's actual story; if Lafferty Each edited memory is, in Lafferty's sense, "valid." The adults have foolishly decided to contaminate their own memory-clouds, pulling the whole approximation I do not think Lafferty was ever a man who lost his magic.
- "Hands of the Man" (1957/1972)
Lafferty tacks on some of the planets we know from his other works. Lafferty repaints David’s henchmen and adds some science-fiction chrome. Lafferty had originally trusted the reader's intelligence. Again, one feels that Lafferty had originally trusted the reader. Ferguson writes that Lafferty worked before "finding a mix the market would take."
- "Frog on the Mountain" (1967/1970)
What the back-brain means is fundamental in Lafferty. ’s most intense explorations of man versus animal, the whole thing gone wrong—man against primordial This is some of Lafferty's most memorable violent writing. Lafferty’s story does something strange and wonderful. It’s pure fun and extreme Lafferty.
- "Happening in Chosky Bottoms"
’s great unsung works, an odd one even by Lafferty standards, “Happening in Chosky Bottoms.” In my imaginary version of an anthology of really cult Lafferty stories, stories that many Lafferty readers Lafferty lunacy,” which is the kind of thing people say about Lafferty when they don’t know what else The story connects deeply to other parts of Lafferty’s imaginary geography. The brilliant Lafferty clue is Goodfellow/Goodbeaver.
- "Thus We Frustrate Charlemagne" (1966/1967)
In the main line there are whole congeries and continents of great novels and novelists." — "Thus We What isn’t widely known is that Lafferty considered writing a Brainworld story himself, but apparently The revised names and unfinished prose show Lafferty working out the characters and premise and then, The ending also deserves to be read alongside Lafferty’s later account of history. This is another instance of Lafferty leaving the narrative with incomplete closure.
- "Heart of Stone, Dear" (1980/1983)
Lafferty’s language is in flight, describing it. They are probably now my favorite pair of characters in Lafferty, in part because Lafferty loads them He has blown the whole Second Age of Benevolent Magic. First, Lafferty uses Kabbalah both decoratively and structurally. Lafferty (I think) has this on his mind.
- "Last Laugh" (1963)
From 1965 to 1967, Lafferty gave Past Master its final shape. The overlap between “Last Laugh” and Past Master is about as close as one will find in Lafferty. Elsewhere in Lafferty, he doesn’t quite spell it out. Lafferty moves fast there, but he is always consistent on this point in his work. Lafferty says that humor cannot exist within the programmed system.
- "Encased in Ancient Rind" (1971)
Lafferty does it differently. You see, I have cheated by letting Lafferty have his version of the whole account. Lafferty read The Genesis Flood, and he was convinced by it. Lafferty's story begins during a global environmental crisis. Lafferty to Ed Babinski Then Lafferty integrated this linguistic claim into the vapor canopy model popularized
- "Magazine Section" (1984?/1985)
Lafferty’s St. One hears it said that Lafferty was hostile to Vatican II. That is shorthand and not terribly helpful for understanding Lafferty. Lafferty put the whole matter this way in a letter to William C. Thus, Lafferty could accept the actual teachings of Vatican II while still arguing that post-Conciliar











