The largest church in my city is that of a Christian sect that will not show the cross. It is built in imitation of a style that requires the cross, and the simple elimination of it would leave an emptiness and discordance. What is done to disguise this gaping omission? There is not permitted to be seen one right angle in the entire building, not one natural congruence of horizontal and vertical line. There are asymmetrical spires all over the place, there are twenty-nine deg

How Dotty’s image of God as “that Old Jew” changes from accusation to providence, and why that change matters to the novel’s antisemitism.

Chesterton’s “The Nightmare,” Oriel Overlark, and the place of Lafferty’s monsters beneath the throne in Fourth Mansions.

There is rollicking good-humor all through every Scripture. Samson, the riddletelling judge and strong man, is full of high spirits even when going down to Gaza and to his death. David is full of fun when he invents the story of his victory over Goliath and sings it to his own harp music. Goliath was not that big, nor David that small; and moreover Goliath was killed by another warrior, Elhanan. But a story-teller can always fictionize accounts. There is a lot of fun in Balaa

I wish to argue here that the recurring pattern of descent and ascent, expressed mythically as katabasis and anabasis, and metaphysically in Neoplatonism as proodos and epistrophe, is not only a formal analogy to Christian theology. Rather, it is decisively reconfigured and fulfilled in the doctrines of kenosis and theosis. In Christianity, this pattern ceases to be merely narrative or purely metaphysical. It becomes Christological and participatory, thereby deepening and ful

“You are a dozen or more from among the six thousand characters I have written to represent the six-billion persons who will have lived in the world after my death. You are sketches that I did not quite fill out, you are people in my still quite sketchy world of the future. And yet I did all of you as well as I was able to.” Summer teaching—one class on economics and culture, another on Dante—together with the usual department grind, has eaten into the spare time I can carve

I answer that, It must be said that every evil in some way has a cause. For evil is the absence of the good, which is natural and due to a thing. But that anything fail from its natural and due disposition can come only from some cause drawing it out of its proper disposition. For a heavy thing is not moved upwards except by some impelling force; nor does an agent fail in its action except from some impediment. But only good can be a cause; because nothing can be a cause exce

There was some one thing that was too great for God to show us when he walked upon our earth; and I have sometimes fancied that it was his mirth.— G. K. Chesterton, Orthodoxy "But laughter is weakness, corruption, the foolishness of our flesh." — Umberto Eco, The Name of the Rose [Advanced Lafferty. What follows supplements my earlier post on the Laughing Christ and what Lafferty does with it in East of Laughter. The argument, in brief, is that East of Laughter rejects three

History is not false but true when it is put dramatically. It is not true but false when it arrives anyhow, proceeds at random like an unconsidered run of nature, and ceases unravelled without the gathering of the threads into a conclusion. — Hilaire Belloc, "The Historian" In 1955, Hollis and Carter published a volume of Hilaire Belloc’s uncollected essays under the title One Thing and Another. Lafferty was an avid reader of Belloc, so it is unlikely that he did not know the

A late-night thought. The readers I think of most often when working on Lafferty are Andrew Ferguson, Daniel Otto Jack Petersen, and Gregorio Montejo. Ferguson’s archival work is essential. His chief readerly contribution, so far, is to ask how fiction makes worlds. I think his main philosophical argument cuts off Lafferty from Catholic ontology. A subsidiary question, important to SF scholars and fans, concerns genre history; that is often where Ferguson’s readings come to r

And the story FAITH SUFFICIENT is tied in with the Ministry business. I am a strongly believing Catholic myself, and one sentence of Christ that I never forget is "Other sheep I have that are not of this flock." He also says (through Saint Paul) that we should preach the faith 'in season and out of season.' But the manner of the preaching is left to each one. There is lots of grotesque preaching done, and I believe that it may be a subject of humor. And John Salt and his frie

“We already had the World of Fact. Oh, the poor, dingy, hopeless, small-minded World of Fact! It didn’t deserve much, but it deserved at least to have its nakedness clothed with metaphor and mythology. The World of Computers is bearable. The old World of Fact was ceasing to be. “Even the Quest for Reality of the talented but diminishing Group of Twelve has now changed (without their knowing it) into the Quest for Acceptable World Metaphor.” East of Laughter buries the lede, s

“Yes. All of you are marooned East of Reality, and you are questing to find your way back to Reality. So you have come to the Castle originally named East of Laughter though now the name has generated simply to Gaire or Laughter. And yet we are still somewhat to the East of the thing itself.” JANUS ’Tis well an old age is out, And time to begin a new. CHORUS OF ALL All, all of a piece throughout; Thy chase had a beast in view; Thy wars brought nothing about; Thy lovers were

A brief supplemental post about how Aurelia puts late modernity under judgment. Judgmental pressure expands Aurelia’s postfiguration sideways into epistemology. All in it should be read in light of what Aurelia says about Final Happiness, full personhood, justice, and the Father of Lights. To show this, I have created seven diagrams at the end of the post that unpack the pre-Tower-Jump interrogation, which postfigures the questioning in the temple, commonly known as Christ Am

"There is no way that I myself can be hurt. I am beyond that. I can be killed, but I cannot be hurt. I have a 'Home Free' certificate. And how does one get such a thing? One reaches out the hand, and it is given. If you don't have such a ‘Home Free’ entitlement, it is only because you didn't hold out your hand for it. People of my governorship, if I were to give you hard sayings you would try to figure them out and perhaps fulfill them. Because I give you easy sayings, which

Vietnam was unified on July 2, 1976, with the establishment of the Socialist Republic of Vietnam. Because one digressio leads to another, I want to note one of Aurelia’s stranger internal crossings. Although completed in 1976, the novel already contains the Vietnam argument that Lafferty later makes explicit in Part IV of In a Green Tree, “Incidents of Travel in Flatland.” It is an instance of Lafferty allegorizing history from within the postfiguration machinery of the novel

“All these things are possible. If you will worry about them, then I will cease doing it. I hate duplication.” “I will worry about them,” the bodyguard said. “It is my job to worry about them. Are you also going on a peripateticus, as Rex calls it, when Aurelia goes?” “Yes. Today. And that is all the questions that I will answer, Mr. Bodyguard.” “But I would like to know—” “Black lightning of which you felt only a sample, man! Black lightning to burn you to a cinder!” Cousin

“To remedy this insufficiency, I’m enclosing a little book, very informative, though only a little over six hundred pages. It’s a sort of resume of the Summa of Thomas Aquinas. You’re very well informed on all the perimeters of the subject, but your information on the center itself is very weak. I’ve given away about twenty copies of this book in the last twenty years, but only to people intelligent enough to handle it.” A post on Walter Farrell, O.P., whom Lafferty respected

Advanced Lafferty. What comes next won’t depend on it. Not much has been written about Aurelia, but of the handful of things said about it, by far the most interesting and intellectually strongest is Gregorio Montejo’s essay “Eudaimonism in R. A. Lafferty’s Aurelia,” which appeared in Feast of Laughter in 2015. Anyone who wants to read Aurelia seriously should understand its argument. As a teacher of mine used to say, firstest with the mostist criticism. Today I want to walk

“Jump, jump, jump!” they called, and others took up the cadence “Jump, jump, jump!” People came from the hills and the lake and from all the luxury cabins around there. The “with-it” people came, and the sectarians, and all of the “Kill Aurelia Now League.” Even the strong partisans of Aurelia were caught up in the moment and cried “Jump, jump, jump!” Aurelia jumped. She lept out into the golden air, and she plummeted the thirty meters to the ground, a modified plummet, for s