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389 results found for "whole lafferty"
- “Pig in a Pokey" (1964)
On the left are four pillars with a roof on them, the whole constructed to protect a wooden pillar which Eliot and Lafferty both had a solution: myth. While Lafferty never loses his interest in irony (it is pervasive), he becomes increasingly aware of He becomes the Whole Lafferty . While only Lafferty could have written “Pig in a Pokey,” the story is slyly dependent on repackaging
- "The Man Who Walked Through Cracks" (1974/1978)
Lafferty a figure of the realized eschaton. Lafferty detested this. This is conspiratorial Lafferty . Once a single sphere, they are now divided, a concrete image of the fall as the sundering of wholeness Lafferty writes: “It's Josue's horn!”
- Hopp Equation Space and Enantiodromia
This is where Lafferty’s satire of Jung is sharpest. If you've read Space Chantey (1968), you know Lafferty often plays conceptual games of this sort. The final piece of Hopp-Equation Space satire is how Lafferty inflates Jung's cherished principle of In analytical psychology, it’s the psyche’s built-in self-regulation, but Lafferty warps it into the writing his novel: "But how can a human being stand the tension of feeling himself at one with the whole
- "McGruder's Marvels" (1968/1968)
Lafferty for the Los Angeles Review of Books , Matt Keely writes: “Lafferty was an electrical engineer “We will shape the whole world like clay in our hands. There was a whole period of flea-circus legends, among them Louis Bertolotto , who helped turn flea acts , I'd still have guessed it was written by Lafferty. Serious Lafferty is here.
- Laughing Kelly (1983)
"LAUGHING KELLY' Black comedy about the burials of several Lafferty characters. Lafferty having fun. "SYLVESTER" Surreal and melancholy. Lafferty was fascinated by the backbrain. Remember what Lafferty says about that . "INTERNAL DOCTOR HARVEY LEE" One of Lafferty's great pieces of light verse.
- "And Mad Undancing Bears" (1972/1974)
Most readers, sooner or later, will ricochet off some part of Lafferty. This is where the giant motorcyclist Whole-Hog McCloud rides out, giving us some of Lafferty’s best writing Lafferty pushes affect to the point of decision. Lafferty wanted to do more. Another one for the Lafferty playlist.
- “Condillac's Statue” (1968/1970)
While thinking about Past Master (1968), I returned to Lafferty’s short story "Condillac’s Statue or On the whole, I doubt he would have had much patience for it—the philosophical assumptions behind the (I would put money on Lafferty having consulted it while writing the story, likely alongside his copy Lafferty’s subtitle points to what he is up to in "Condillac’s Statue." These are always fun moments in Lafferty.)
- "Saturday You Die" (1959/1960)
From the very top you would be able to see whole islands that nobody else had seen, to see whole ships They are all special pieces of the Lafferty canon, and one wishes Lafferty had written more like them Readers first encounter one of Lafferty’s great images of childhood: piracy as the Laffertian correlate it is rendered with Lafferty’s genius for the grotesque. A significant Lafferty coinage.
- "Nor Limestone Islands" (1971)
That is superior Lafferty. Surely catnip for Lafferty. a stalwart champion of Lafferty’s reputation. reach for Jonathan Swift rather than for the broader Western tradition of floating islands and the whole Lafferty has a word for Weberian people.
- Totalizing
It’s Down the Slippery Stairs” A few quick notes on being totalizing: I believe readers need a total Lafferty But in Lafferty’s case, you lose something essential by ignoring it outright. In the same way, Lafferty totalized because he was an old-fashioned Catholic—and Catholic means universal The irony is that people haven’t yet assembled enough of the logocentric Lafferty even to deconstruct Lafferty, as we know, disliked Marxists.
- "Aloys" (1957/1961)
in terms of speed of Lafferty invention and sheer compact Lafferty voice. My sense is that “Aloys” is a Lafferty story that Lafferty readers remember, even if it doesn’t get talked This time through “Aloys,” I started thinking about one of Lafferty’s whole approaches to scientific And he ends with praising elegance, the way Lafferty does in the Black Hole review piece, alluding to Lafferty have disagreed with?
- "The Hand of the Potter: An Idyll" (1984/2020)
Lafferty readers must have been excited for a new Lafferty. No Lafferty readers seem to understand it. This is where Lafferty shoots his flare gun. is an esoteric writer in the whole. Lafferty owned IHR material that said it was. Now think about the Holocaust, which Lafferty denied.











