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Arrive at Easterwine


"Ballad For a Desperate Cause" (1964)
Desperate causes. A polemic on a topic that bothers me. Bothers me a lot. I hate when people fret and hedge about Lafferty’s...
Sep 24


The Oceanic Novels
New section added to the blog for the oceanic novels. Some diagrams for how I think they work. The diagrams isolate what I take to be...
Sep 4


Lafferty and Magic Realism
You will hear it said that Lafferty is a bit like magic realism, but isn’t quite magic realism. For a while, I’ve thought this has to...
Sep 1


Im. "The Man Who Lost His Magic": The Horizontal Axis
Hatchet Face (1785-1863) In the earliest times to which authentic history extends, the law will be found to have already attained a fixed...
Aug 24


The Whole Lafferty
Prose fiction was a narrow thing. As a valid force it was found only in Structured Western Civilization (Europe and the Levant, and the...
Aug 21


IIb. Belloc: Noël! Noël! Noël! Noël
“Noël! Noël! Noël! Noël! A Catholic tale have I to tell!” — Hilaire Belloc, "Noël! Noël! Noël! Noël! "(1910) "I stand by all that I wrote...
Aug 12


Ib. Belloc
Hilaire Belloc (1870-1953) R. A. Lafferty unequivocally, categorically denied the Jewish Holocaust. This is sad, and inevitably complicates any discussion of his work, though the fact itself is not complicated. I used to be annoyed by Robert Silverberg’s comment that people knew there was great sadness in R.A.L. It was patronizing, and it didn’t make sense, but it is coming into focus for me. The Holocaust materials should be documented in the Tulsa archive in the McFarlin
Aug 11


Notes: Duffey and Time
"Aeon is the measure of the duration of non-material creatures or substances, as time is that of material creatures or substances. Thomas...
May 30


Lafferty’s Use of “Worlds”
Paul Ricoeur (1913-2005) Mimesis 1 (Prefiguration): Mimesis 1 is the pre-narrative, lived understanding of human action, encompassing...
May 20


"Ginny Wrapped in the Sun" (1967)
William Blake, The Red Dragon and the Woman Wrapped in the Sun, c. 1805 My last post looked at Lafferty's aesthetics and theology in...
May 17


Reading the Argo Cycle
As he opens the second canto of Paradiso , Dante warns his readers that only those prepared for the mysteries ahead should continue the...
Apr 28


“The Forty-Seventh Island” (1977/1980)
“The Forty-Seventh Island” is one of Lafferty’s weaker stories. It isn’t short on invention; what it lacks is the theotropic dissonance...
Mar 24


"Old Halloweens on the Guna Slopes" (1975, rev. 1984)
Forza [force] and froda [fraud] being the two essential elements of sin, it follows that they must be the two cardinal virtues of human...
Mar 23


“In Deepest Glass” (1980/1981)
Several million evolvate computers, computers who said that they were the only true born-again humans, accompanied the pilgrimage or tour...
Mar 22


“Boomer Flats” (1971)
Lafferty had a soft spot for Neanderthals and every kind of ape-man. My favorite instance of this appears at the end of Arrive at...
Mar 21


“Calamities of the Last Pauper” (1982)
The question then arises, what poverty is required by the practice of this counsel or, in other words, what poverty suffices for the...
Mar 20


“The All-At-Once Man” (1970)
Picking up on yesterday’s post and the theme of Gnosticism, I want to look at its presence in Lafferty’s work a little further. Lafferty...
Mar 18


“Ifrit” (1982) and Janusian Peripetia
Stanley Elkin once said that he did shtick upon shtick until he got carpentry. In the same vein, there’s a maneuver so core to Lafferty’s...
Mar 16


“Selenium Ghosts of the Eighteen Seventies” (1978) II + Notes
Today, I want to think about the metaphysics of time in "Selenium Ghosts." Before turning to that issue, let’s take stock of some of what...
Mar 14


“Selenium Ghosts of the Eighteen Seventies” (1978) I
I’ve been closely reading "Selenium Ghosts of the Eighteen Seventies." In the coming days, I’ll make several posts about it and post my...
Mar 14
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