top of page
Arrive at Easterwine


Notes: Duffey and Time
"Aeon is the measure of the duration of non-material creatures or substances, as time is that of material creatures or substances. Thomas...
May 30


Lafferty’s Use of “Worlds”
Paul Ricoeur (1913-2005) Mimesis 1 (Prefiguration): Mimesis 1 is the pre-narrative, lived understanding of human action, encompassing...
May 20


"Ginny Wrapped in the Sun" (1967)
William Blake, The Red Dragon and the Woman Wrapped in the Sun, c. 1805 My last post looked at Lafferty's aesthetics and theology in...
May 17


Reading the Argo Cycle
As he opens the second canto of Paradiso , Dante warns his readers that only those prepared for the mysteries ahead should continue the...
Apr 28


“The Forty-Seventh Island” (1977/1980)
“The Forty-Seventh Island” is one of Lafferty’s weaker stories. It isn’t short on invention; what it lacks is the theotropic dissonance...
Mar 24


"Old Halloweens on the Guna Slopes" (1975, rev. 1984)
Forza [force] and froda [fraud] being the two essential elements of sin, it follows that they must be the two cardinal virtues of human...
Mar 23


“In Deepest Glass” (1980/1981)
Several million evolvate computers, computers who said that they were the only true born-again humans, accompanied the pilgrimage or tour...
Mar 22


“Boomer Flats” (1971)
Lafferty had a soft spot for Neanderthals and every kind of ape-man. My favorite instance of this appears at the end of Arrive at...
Mar 21


“Calamities of the Last Pauper” (1982)
The question then arises, what poverty is required by the practice of this counsel or, in other words, what poverty suffices for the...
Mar 20


“The All-At-Once Man” (1970)
Picking up on yesterday’s post and the theme of Gnosticism, I want to look its presence in Lafferty’s work a little further. Lafferty...
Mar 18


“Ifrit” (1982) and Janusian Peripetia
Stanley Elkin once said that he did shtick upon shtick until he got carpentry. In the same vein, there’s a maneuver so core to Lafferty’s...
Mar 16


“Selenium Ghosts of the Eighteen Seventies” (1978) II + Notes
Today, I want to think about the metaphysics of time in "Selenium Ghosts." Before turning to that issue, let’s take stock of some of what...
Mar 14


“Selenium Ghosts of the Eighteen Seventies” (1978) I
I’ve been closely reading "Selenium Ghosts of the Eighteenth Century." In the coming days, I’ll make several posts about it and post my...
Mar 14


The Tower of Tarshish and the Dungeons of Tertullian
From a reproduction of the wonderful Hereford Mappa Mundi (ca. 1300 AD). The inscription on Sardinia: Sardinia Grece Sandaliotes dicta a...
Mar 11


Eros in Lafferty
A while back, I shared some thoughts on East of Laughter in response to a discussion about certain obiter dicta on pornography in an...
Mar 9


“Condillac's Statue” (1968/1970)
While thinking about Past Master (1968), I returned to Lafferty’s short story "Condillac’s Statue or Wrens in His Head." It offers...
Mar 8


“Seven Day Terror” (1962) and Exposition
Rock Candy Patent Drawing, 1881 There are quite a few reasons for thinking about Lafferty not as a science fiction writer but as a writer...
Mar 7


“Marsilia V” (1975) and Iconographic Insetting
Lafferty’s description and visual imagery are as idiosyncratic as every other aspect of the man's work. Today, I want to consider a trick...
Mar 6


“The World as Will and Wallpaper” (1973)
Wallpaper Design by William Morris (1834-1896) “So long as a man was graceful in every circumstance, so long as he had the inspiring...
Mar 5


The Bloodsmell
"And they threw her down, and the wall was sprinkled with her blood, and the horses trod upon her." 2 Kings 9:33 "But one of the...
Mar 4
bottom of page